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{{For|the food|Sushi}}
{{chinese name|蘇 (Su)}}
{{Infobox Writer <!-- for more information see [[:Template:Infobox Writer/doc]] -->
|name        = Su Shi
|image       = Su Dongpo.JPG
|caption     = Statue of Su Dongpo near the [[West Lake]] in [[Hangzhou]]
|birthdate  = January 8, 1037
|birthplace = 
|deathdate  = August 24, 1101
|deathplace = 
|occupation  = [[Poet]], [[Essayist]], [[Painting|Painter]], [[Artist]], [[East Asian calligraphy|Calligrapher]], [[Statesman]]
|genre       = 
|movement    = 
|period      = 
|influences  = [[Li Bai]], [[Du Fu]]
|influenced  = 
|website     = 
}}

'''Su Shi''' ({{zh|t=蘇軾|s=苏轼|p=Sū Shì}}) (January 8, 1037 – August 24, 1101) was a [[List of Chinese authors|writer]], [[List of Chinese language poets|poet]], [[artist]], [[East Asian calligraphy|calligrapher]], [[pharmacologist]], and [[statesman]] of the [[Song Dynasty]], and one of the major poets of the Song era. His [[courtesy name]] was '''Zizhan''' ({{lang|zh-Hant|子瞻|p=Zǐzhān}}) and his pseudonym was '''Dongpo [[Householder (Buddhism)|Jushi]]''' ({{lang|zh-Hant|東坡居士|p=Dōngpōjūshì}}), and he is often referred to as '''Su Dongpo''' ({{lang|zh-Hant|蘇東坡|p=Sūdōngpō}}). Besides his renowned poetry, his other existent writings are of great value in the understanding of 11th century Chinese [[travel literature]] as well as details of the 11th century Chinese [[iron industry]].

==Life==
Su Shi was born in [[Meishan]], near [[Mount Emei]] in what is now [[Sichuan]] province. His brother [[Su Zhe]] ({{lang|zh-Hant|蘇轍}}) and his father [[Su Xun]] ({{lang|zh-Hant|蘇洵}}) were both famous [[literati]]. Su's early education was conducted under a [[Taoist]] priest at a local village school. Later in his childhood, he studied under his mother, herself a highly educated woman. Su married at age 17. In 1057, when Su was 19, he and his brother passed the (highest-level) [[Imperial examinations|civil service examinations]] to attain the degree of [[jinshi]], a prerequisite for high government office.<ref name="ebrey cambridge 140">Ebrey, ''Cambridge Illustrated History of China'', 140.</ref> His accomplishments at such a young age attracted the attention of [[Ouyang Xiu]], who became Su's patron thereafter. Ouyang had already been known as an admirer of Su Xun, sanctioning his literary style at court and stating that no other pleased him more.<ref name="hymes 61"/> When the 1057 jinshi examinations were given, Ouyang Xiu required—without prior notice—that candidates were to write in the ancient prose style when answering questions on the [[Chinese classic texts|Confucian classics]].<ref name="hymes 61">Hymes, 61.</ref> The Su brothers gained high honors for what was deemed impeccable answers and achieved celebrity status.<ref name="hymes 61"/> 

Beginning in 1060 and throughout the following twenty years, Su held a variety of government positions throughout [[China]]; most notably in [[Hangzhou]], where he was responsible for constructing a pedestrian causeway across the [[West Lake]] that still bears his name: ''suti'' ({{lang|zh-Hant|蘇堤}}, Su causeway). He had served as a magistrate in Mizhou, which is located in modern day Zhucheng County of [[Shandong]] province. Later, when he was governor of [[Xuzhou]], he once wrote a [[petition|memorial]] to the throne in 1078 complaining about the troubling economic conditions and potential for armed rebellion in [[Economy of the Song Dynasty#Memorials to the throne|Liguo Industrial Prefecture]], where a large part of the Chinese [[iron industry]] was located.<ref name="wagner 178">Wagner, 178</ref><ref>Hegel, 13</ref> 

[[Image:SuShi-Portrait.jpg|thumb|left|200px|A contemporary [[Song Dynasty]] [[portrait painting]] of Su Shi]]
Su Shi was often at odds with [[History of the Song Dynasty#Partisans and factions, reformers and conservatives|a political faction]] headed by [[Wang Anshi]]. Su Shi once wrote a poem criticizing Wang Anshi's reforms, especially the government [[monopoly]] imposed on the [[salt]] industry.<ref name="ebrey east asia 164">Ebrey, ''East Asia'', 164.</ref> The dominance of the reformist faction at court allowed the New Policy Group greater ability to have Su Shi [[exile]]d for political crimes. The claim was that Su was criticizing the emperor, when in fact Su Shi's poetry was aimed at criticizing Wang's reforms. It should be said that Wang Anshi played no part in this actions against Su, for he had retired from public life in 1076 and established a cordial relationship with Su Shi. <ref name="ebrey east asia 164"/> Su Shi's first remote trip of exile (1080–1086) was to [[Huangzhou]], Hubei. This post carried a nominal title, but no stipend, leaving Su in poverty. During this period, he began [[Buddhism|Buddhist]] meditation.  With help from a friend, Su built a small residence on a parcel of land in 1081. Su Shi lived at a farm called Dongpo ('Eastern Slope'), from which he took his literary pseudonym. While banished to [[Hubei]] province, he grew fond of the area he lived in; many of the poems considered his best were written in this period.<ref name="ebrey cambridge 140"/> His most famous piece of calligraphy, Han Shi Tie, was also written there. In 1086, Su and all other banished statesmen were recalled to the capital due to the ascension of a new government.<ref name="Hegel 14">Hegel, 14</ref> However, Su was banished a second time (1094–1100) to [[Huizhou]] (now in [[Guangdong]] province) and [[Hainan]] island.<ref name="ebrey cambridge 140"/> In 1098 the [[Dongpo Academy]] in Hainan was built on the site of the residence that he lived in whilst in exile. 

Although political bickering and opposition usually split ministers of court into rivaling groups, there were moments of non-partisanship and cooperation from both sides. For example, although the prominent scientist and statesman [[Shen Kuo]] (1031-1095) was one of Wang Anshi's most trusted associates and political allies, Shen nonetheless befriended Su Shi and even collaborated with him in compiling the [[pharmaceutical]] treatise of the ''Liang Fang'' (良方; Good medicinal formulas).<ref name="needham volume 1 137">Needham, Volume 1, 137.</ref><ref name="sivin iii 3">Sivin, III, 3.</ref><ref name="sivin iii 7">Sivin, III, 7.</ref><ref name="sivin iii 47">Sivin, III, 47.</ref> It should be noted, however, that Su Shi was aware that it was Shen Kuo who, as regional inspector of Zhejiang, presented Su Shi's poetry to the court sometime between 1073 to 1075 with concern that it expressed abusive and hateful sentiments against the Song court.<ref name="hartman 22">Hartman, 22.</ref> It was these poetry pieces that Li Ding and Shu Dan later utilized in order to instigate a law case against Su Shi, although until that point Su Shi did not think much of Shen Kuo's actions in bringing the poetry to light.<ref name="hartman 22"/>

Su Shi had several children, the eldest being Su Mai (蘇邁), who would also become a government official by 1084.<ref name="hargett 75"/> After Su Shi's wife had died, he wrote this poem in her memory, entitled ''Jiang chengzi'' (江城子): 
[[Image:Su Shi.jpg|thumb|right|240px|A depiction of Su Shi from 1743]]　
江城子•乙卯正月二十日夜記夢

蘇軾

十年生死兩茫茫，不思量， 自難忘。千里孤墳，無處話淒涼。縱使相逢應不識，塵滿面，鬢如霜。

夜來幽夢忽還鄉，小軒窗，正梳妝。相顧無言，惟有淚千行。料得年年腸斷處，明月夜，短松岡。

{| cellpadding="5" style="font-size:90%; border-collapse:collapse; background-color:transparent; border-style:none; margin: 10px 10px;"
| width="15" valign=top | [[Image:Cquote1.png]]
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:''Ten years living and dead have drawn apart''
:''I do nothing to remember''
:''But I cannot forget''
:''Your lonely grave a thousand miles away ...''
:''Nowhere can I talk of my sorrow --''
:''Even if we met, how would you know me''
:''My face full of dust''
:''My hair like snow?''
:''In the dark of night, a dream: suddenly, I am home''
:''You by the window''
:''Doing your hair''
:''I look at you and cannot speak''
:''Your face is streaked by endless tears''
:''Year after year must they break my heart''
:''These moonlit nights?''
:''That low pine grave?''
| width="15" valign=bottom | [[Image:Cquote2.png]]
|-
| colspan="3" | <div style="text-align: right;">Su Shi<ref>[http://www.chinese-poems.com/s5.html Dreaming of My Deceased Wife on the Night of the 20th Day of the First Month]</ref><ref>[http://www.chinapage.org/poet-e/sushi2e.html Su Shi's poetry at Chinapage.org]</ref></div>
|}

After a long period of political exile, Su received a pardon in 1100 and was posted to Chengdu.  However, he died in [[Changzhou]], [[Jiangsu]] province after his period of exile and while he was en route to his new assignment in the year 1101.<ref name="ebrey cambridge 140"/> Su Shi was 64 years old.<ref name="Hegel 14"/> After his death he gained even greater popularity, as people sought to collect his calligraphy, paintings depicting him, stone inscriptions marking his visit to numerous places, and built shrines in his honor.<ref name="ebrey cambridge 140"/> He was also depicted in artwork made posthumously, such as in Li Song's (1190-1225) painting of Su traveling in a boat, known as ''Su Dongpo at Red Cliff'', after Su Song's poem written about a [[Battle of Chibi|3rd century Chinese battle]].<ref name="ebrey cambridge 140"/>

==Work==
===Poetry===
[[Image:Su shi-calligraphy.jpg|thumb|right|[[Calligraphy]] by Su Shi: detail of {{lang|zh-Hant|<big>[http://upload.wikimedia.org/wikipedia/zh/7/7b/寒食帖.jpg 寒食帖]</big>}}]]
Around 2,700 of Su Song's poems have survived, along with 800 written letters.<ref name="ebrey cambridge 140"/> Su Dongpo excelled in the ''[[shi (poetry)|shi]]'', ''[[ci (poetry)|ci]]'' and ''[[Fu (poetry)|fu]]'' forms of poetry, as well as [[prose]], [[calligraphy]] and [[painting]]. Some of his notable poems include the First and Second ''Chibifu'' ({{lang|zh-Hant|赤壁賦}} ''The Red Cliffs'', written during his first exile), ''[[Nian Nu Jiao: Chibi Huai Gu]]'' ({{lang|zh-Hant|念奴嬌.赤壁懷古}} ''Remembering Chibi, to the tune of Nian Nu Jiao'') and ''[[Shui diao ge tou]]'' ({{lang|zh-Hant|水調歌頭}} ''Remembering Su Che on the [[Mid-Autumn Festival]]'', {{lang|zh-Hant|中秋節}}). The two former poems were inspired by the 3rd century [[Naval history of China|naval battle]] of the [[Three Kingdoms]] era, the [[Battle of Chibi]] in the year 208. The bulk of his poems are in the ''shi'' style, but his poetic fame rests largely on his 350 ''ci'' style poems. Su Shi also founded the [[haofang]] school, which cultivated an attitude of heroic abandon. In both his written works and his visual art, he combined spontaneity, objectivity and vivid descriptions of natural phenomena. Su Shi wrote essays as well, many of which are on politics and governance, including his ''Liuhoulun'' ({{lang|zh-Hant|留侯論}}). His popular politically charged poetry was often the reason of Wang Anshi's supporter's wrath towards him, including this poem criticizing Wang Anshi's stiff reforms of the salt monopoly that made salt increasingly hard to find:

{| cellpadding="2" style="font-size:110%; border-collapse:collapse; background-color:transparent; border-style:none; margin: 10px 20px;"
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''An old man of seventy, sickle at his waist,''<br>
''Feels guilty the spring mountain bamboo''<br>
''and bracken are sweet.''<br>
''It's not that the music of Shao has made''<br>
''him lose his sense of taste.''<br>
''It's just that he's eaten his food for three''<br>
''months without salt.''
| width="10" valign=bottom | [[Image:Cquote2.png]]
|-
| colspan="2" | <div style="text-align: right;">Su Shi<ref name="ebrey east asia 164"/></div>
|}

===Travel record literature===
[[Image:Dongpo-memorial.JPG|thumb|right|250px|The Su Dongpo Memorial of [[Huizhou]].]]
Su Shi also wrote of his travel experiences in 'daytrip [[essay]]s',<ref name="hargett 74">Hargett, 74.</ref>  which belonged in part to the popular Song era literary category of 'travel record literature' (youji wenxue) that employed the use of [[narrative]], [[diary]], and [[prose]] styles of writing.<ref name="hargett 67 73">Hargett, 67-73.</ref>  Although other works in Chinese [[travel literature]] contained a wealth of [[cultural]], [[geographical]], [[topographical]], and technical information, the central purpose of the daytrip essay was to use a setting and event in order to convey a [[Chinese philosophy|philosophical]] or [[moral]] argument, which often employed [[persuasive writing]].<ref name="hargett 74"/>  For example, Su Shi's daytrip essay known as ''Record of Stone Bell Mountain'', where he judges and then personally discovers whether or not ancient texts on 'stone bells' were factually accurate:

<blockquote>The [[Shui Jing Zhu|Waterway Classic]] says: "At the mouth of a [[Lake Poyang|Pengli]] [Lake] there is a Stone Bell Mountain." [[Shui Jing Zhu|Li Daoyuan]] (d. 527) held that "below it, near a deep pool, faint breezes drum up waves, and water and rocks striking one another toll like huge bells." Others have often doubted this claim. Today, if one takes a [[Bell (instrument)|bell]] or a [[lithophone]] and places it into the water, even if there is great wind and waves, you cannot make it ring. How much the less, then, for [common] rocks? It was not until the time of Li Bo [9th century, not the famous [[Li Bo]], or [[Li Bai]]] of the [[Tang Dynasty|Tang]] that someone searched for a surviving trace of this phenomenon. Upon finding a pair of rocks on the bank of a pool, he knocked them together and listened. Their [[Chinese musicology|southern tone]] was mellow and muted; their [[Chinese musicology|northern timber]] was clear and shrill. When the clang ceased, its resonance mounted; the remnant notes then gradually came to rest. Li Bo then held that he had found the 'stone bells'. However, I am especially doubtful of this statement. The clanking sound made by rocks is the same everywhere. And yet, this place alone is named after a bell. Why, indeed, is that?<ref name="hargett 74 75">Hargett, 74-75.</ref></blockquote>

<blockquote>On ''Dingchou'' day of the sixth lunar month in the seventh year of the Prime Abundance period (July 14, 1084), I was traveling by boat from Qi'an ([[Huanggang, Hubei|Huanggang]], [[Hubei]]) to Linru (Linru, [[Henan]]). My oldest son [Su] Mai was just about to leave for [[Lake Poyang|Dexing in Rao]] to take up the post of Pacificator. Since I accompanied him as far as Hukou (modern Hukou, [[Jiangxi]]), I was able to observe the so-called stone bells. A [[Chinese Buddhism|monk]] from a [nearby] [[monastery]] dispatched an apprentice carrying an [[axe]] to select one or two among the scattered rocks and knock them [with an axe], upon which they made a 'gong-gong'-like sound. I laughed just as I had done before and still did not believe the legend.<ref name="hargett 75">Hargett, 75.</ref></blockquote>

<blockquote>That evening, the moon was bright. Alone with Mai I rode a little boat to the base of a steep [[precipice]]. The huge rocks on our flank stood 1000 feet high (304 m). They looked like fierce beasts and weird [[goblin]]s, lurking in a ghastly manner and getting ready to attack us. When the [[Bird#Resting and roosting|roosting]] [[falcon]]s on the mountain heard our voices they too flew off in fright, cawing and crying in the cloudy [[empyrean]]. Further, there was something [that sounded] like an old man coughing and laughing in a mountain ravine. Someone said: "That is a white [[stork]]." I was shaking with fear and about to turn back, when a loud noise rang out from the surface of the water that gonged and bonged like bells and drums unceasing in their clamor. The boatmen became greatly alarmed. I carefully investigated it, only to discover that everywhere below the mountain there are rocky [[cave]]s and [[fissure]]s, who knows how deep. Gentle waves were pouring into them, and their shaking and seething, and chopping and knocking were making this gonging and bonging. When our boat on its return reached a point between the two mountains and we were about to enter the mouth of the inlet, [I saw that] there was a huge rock in the middle of the channel which could seat a hundred people. It was hollow in the center with numerous [[aperture]]s, which, as they swallowed and spat with the wind and water, made a bumping and thumping and clashing and bashing that [[Echo (phenomenon)|echoed]] with the earlier gonging and bonging. It seemed as if music was being played here. Thereupon, I laughed and said to Mai: "Do you recognize it? The gonging and bonging is the [[Bell (instrument)#Ancient Chinese bells|''Wuyi'' bell]] of [[King Jing of Zhou (Ji Gui)|King Jing of Zhou]]; the bumping and thumping and clashing and bashing are the song-bells of Wei Zhuangzi [a.k.a. Wei Jiang; 6th century BC military advisor]. The ancients [i.e. Li Daoyuan and Li Bo] have not cheated us!<ref name="hargett 75 76">Hargett, 75-76.</ref></blockquote>

<blockquote>Is it acceptable for someone who has not personally seen or heard something to have decided views on whether it exists or not? Li Daoyuan probably saw and heard the same things as I did, yet he decided not to describe them in detail. Gentlemen-officials have always been unwilling to take a small boat and moor it beneath the steep precipice at night. Thus, none were able to find out [about the bells]. And, although the fishermen and boatmen knew about them, they were unable to describe them [in writing]. This is why it has not been transmitted through the generations. As it turns out, imbeciles sought the answer by taking axes and beating and striking rocks. Then they held that they had found out the truth of the matter. Because of this I have made a record of these events, for the most part to sigh over Li Daoyuan's superficiality, and to laugh at Li Bo's stupidity!<ref name="hargett 76">Hargett, 76.</ref></blockquote>

===A memorial concerning the iron industry===
{{Main|Economy of the Song Dynasty}}
[[Image:Yuan Dynasty - waterwheels and smelting.png|thumb|right|220px|An illustration of a [[blast furnace]] smelting [[cast iron]], with [[bellows]] operated by a [[waterwheel]] and mechanical device, from the ''Nong Shu'', by [[Wang Zhen (official)|Wang Zhen]], 1313 AD]]
While acting as Governor of [[Xuzhou]], Su Shi once wrote a [[petition|memorial]] to the imperial court in 1078 AD about problems faced in the Liguo Industrial Prefecture, which was under his watch and administration. In an interesting and revealing passage about the Chinese [[iron industry]] during the latter half of the 11th century, Su Shi wrote about the enormous size of the workforce employed in the iron industry, competing provinces that had rival iron manufacturers seeking favor from the central government, as well as the danger or rising local strongmen who had the capability of raiding the industry and threatening the government with effectively armed rebellion. It also becomes clear in reading the text that prefectural government officials in Su's time often had to negotiate with the central government in order to meet the demands of local conditions:

<blockquote>After being transferred to the governorship of Xuzhou I have inspected the [[topography]] of [the region's] mountains and rivers, investigated what is esteemed by its customs, and studied it in written records. After all this I have realized that Xuzhou is a strategic point between North and South, on which the security of the circuits East of the capital depends...[The region is protected on three sides by rugged mountains. Four historical examples show the strategic importance of the prefecture, especially its administrative seat, the walled city of [[Pengcheng]].] About 70 ''[[Li (unit)|li]]'' northeast of the prefecture city is Liguo Industrial Prefecture. From ancient times it has been the gathering place of Iron Offices [tieguan] and merchants, and its people are prosperous. There are 36 smelters, each run by a wealthy and influential family with great myriads of cash in its [[coffer]]s. They are a constant target for [[bandit]]s, but the military guard is weak, and it is child's play [to rob them].<ref name="wagner 178">Wagner, 178.</ref></blockquote>
<blockquote>I have pondered this far into the night, filled with anxiety. I have had more than ten of the most powerful bandits put to death, [but still] when they enter the market in broad daylight the guards abandon their posts and flee. This region produces fine iron, and the people are all excellent smiths. If some of the smelting households' money is distributed to call up [the local] hoodlums, then a [[Ochlocracy|mob]] could quickly be gathered, and weapons for several thousand men could be supplied in no time. If such a mob were to follow the river and come south, it would arrive [in Pengcheng] in a matter of hours, and Xuzhou would be defenseless. Should the misfortune arise that the bandits had exceptional ability, ...and they fulfilled their ambition by taking Xuzhou, then the fate of the region East of the Capital would be in doubt.<ref name="wagner 178"/></blockquote>
<blockquote>Recently the Fiscal Commission of [[Hebei]] proposed that iron from Liguo Industrial Prefecture should not be permitted to enter Hebei, and the Court approved...The Empire is one family, and the two smelting [regions] of the northeast both benefit the State;  is it not narrow to take from the one to give to the other? Since the time that iron stopped going north the smelting households have been in danger of [[bankruptcy]], and many have come to me to complain. I propose therefore to call on the smelting households to be the defense of Liguo Industrial Prefecture. There are 36 smelters, and each has several hundred persons who gather [[ore]] and chop [wood for] [[charcoal]]. They are for the most part poverty-stricken runaways, strong and fierce. I propose to require the smelting households to select and appoint ten men of ability and discipline from each smelter and register their names with the officials. These will be trained in the use of knives and spears. Each month the two offices will assemble them at the administrative headquarters of Liguo Industrial Prefecture for inspection and [[Military parade|drill]]. They will be excused from [[corvée]] duty, but any offenses will be treated under the law pertaining to 'malfeasance in official service'.<ref name="wagner 178 179">Wagner, 178-179.</ref></blockquote>
<blockquote>The smelting households have long been threatened by bandits. All the people know this, and they will be delighted to have each smelter send ten men for self-defense. If the officials also remove the recent prohibition, and again allow the iron to go north, then the smelting households will be satisfied and obedient. Treacherous elements will be terrified and will not dare to make plots.<ref name="wagner 179">Wagner, 179.</ref></blockquote>

===Technical issues of hydraulic engineering===
{{Main|Technology of the Song Dynasty}}
[[Image:Su shi.jpg|thumb|right|200px|Painting of Su Shi.]]
During the ancient [[Han Dynasty]] (202 BC-220 AD) of China, the [[sluice]] gate and [[canal lock]] of the [[flash lock]] had been known.<ref name="Needham Volume 4 Part 3 344 350">Needham, Volume 4, Part 3, 344-350.</ref> By the 10th century the latter design was improved upon in China with the invention of the [[canal]] [[pound lock]], allowing different adjusted levels of water along separated and gated segments of a canal.<ref name="needham volume 4 part 3 350 351">Needham, Volume 4, Part 3, 350-351.</ref> This innovation allowed for larger transport [[barge]]s to pass safely without danger of wrecking upon the embankments, and was an innovation praised by those such as [[Shen Kuo]] (1031-1095).<ref name="needham volume 4 part 3 351 352">Needham, Volume 4, Part 3, 351-352.</ref> Shen also wrote in his ''[[Dream Pool Essays]]'' of the year 1088 that if properly used, sluice gates positioned along [[irrigation]] canals were most effective in depositing [[silt]] for [[fertilization]].<ref name="needham volume 4 part 3 230 231">Needham, Volume 4, Part 3, 230-231.</ref> Writing earlier in his ''Dongpo Zhilin'' of 1060, Su Shi came to a different conclusion, writing that the Chinese of a few centuries past had perfected this method and noted that it was ineffective in use by his own time. He wrote:

<blockquote>Several years ago the government built sluice gates for the silt fertilization method, though many people disagreed with the plan. In spite of all opposition it was carried through, yet it had little success. When the torrents on Fan Shan were abundant, the gates were kept closed, and this caused damage (by flooding) of fields, tombs, and houses. When the torrents subsided in the late autumn the sluices were opened, and thus the fields were irrigated with silt-bearing water, but the deposit was not as thick as what the peasants call 'steamed cake silt' (so they were not satisfied). Finally the government got tired of it and stopped. In this connection I remember reading the ''Jiayipan'' of [[Bai Juyi]] (the poet) in which he says that he once had a position as Traffic Commissioner. As the Bian River was getting so shallow that it hindered the passage of boats he suggested that the sluice gates along the river and canal should be closed, but the Military Governor pointed out that the river was bordered on both sides by fields which supplied army grain, and if these were denied irrigation (water and silt) because of the closing of the sluice gates, it would lead to shortages in army grain supplies. From this I learnt that in the [[Tang Dynasty|Tang period]] there were government fields and sluice gates on both sides of the river, and that irrigation was carried on (continuously) even when the water was high. If this could be done (successfully) in old times, why can it not be done now? I should like to enquire further about the matter from experts.<ref name="needham volume 4 part 3 230">Needham Volume 4, Part 3, 230.</ref></blockquote>

Although Su Shi made no note of it in his writing, the root of this problem was merely the needs of agriculture and transportation conflicting with one another.<ref name="needham volume 4 part 3 230"/>

==Dongpo's Pork==
[[Image:Dongpo pork by superturtle.jpg|thumb|right|100px|Dongpo Pork.]]
It is said that once during his free time, Su Dongpo decided to make [[stew]]ed [[pork]] out of boredom. Then an old friend visited him in the middle of the cooking and challenged him to a game of [[Chinese chess]]. Su had totally forgotten of the stew during the game until a very fragrant smell came out from his kitchen and he was reminded of it. Thus [[Dongpo's Pork]] ({{lang|zh-Hant|東坡肉}}), a famous dish in Chinese cuisine, was created by accident.

==See also==

*[[Fortune-telling#Famous Chinese quote|Su Shi's destiny quote]]
*[[Chinese literature]]
*[[Chinese poetry]]
*[[Culture of the Song Dynasty]]
*[[History of the Song Dynasty]]
*[[Technology of the Song Dynasty]]
*[[Shen Kuo]]

==Notes==
{{reflist|3}}

==References==
<div class="references-small">
*Ebrey, Walthall, Palais (2006). ''East Asia: A Cultural, Social, and Political History''. Boston: Houghton Mifflin Company. ISBN 0-618-13384-4. 
*Ebrey, Patricia Buckley (1999). ''The Cambridge Illustrated History of China''. Cambridge: Cambridge University Press. ISBN 0-521-43519-6 (hardback); ISBN 0-521-66991-X (paperback).
*Watson, Burton (translator). ''Selected Poems of Su Tung-p'o'' ([[Copper Canyon Press]], 1994) 
*Fuller, Michael Anthony. ''The Road to East Slope: The Development of Su Shi's Poetic Voice''. Stanford University Press, 1990. ISBN 0-8047-1587-4.
*Hargett, James M. "Some Preliminary Remarks on the Travel Records of the Song Dynasty (960-1279)," Chinese Literature: Essays, Articles, Reviews (CLEAR) (July 1985): 67-93. 
*Hartman, Charles. "Poetry and Politics in 1079: The Crow Terrace Poetry Case of Su Shih," ''Chinese Literature: Essays, Articles, Reviews (CLEAR)'' (Volume 12, 1990): 15&ndash;44.
*Hatch, George. (1993) "Su Hsun's Pragmatic Statecraft" in ''Ordering the World : Approaches to State and Society in Sung Dynasty China'', ed. Robert P. Hymes, 59&ndash;76. Berkeley: Berkeley University of California Press. ISBN 9780520076914.
*Hegel, Robert E. "The Sights and Sounds of Red Cliffs: On Reading Su Shi," Chinese Literature: Essays, Articles, Reviews (CLEAR) (Volume 20 1998): 11-30.
*Lin, Yutang.  ''The Gay Genius: The Life and Times of Su Tungpo''.  J. Day Co., 1947.   ISBN 0837147158.
*[[Joseph Needham|Needham, Joseph]] (1986). ''Science and Civilization in China: Volume 1, Introductory Orientations''. Taipei: Caves Books, Ltd.
*Needham, Joseph (1986). ''Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 3, Civil Engineering and Nautics''. Taipei: Caves Books Ltd.
*[[Nathan Sivin|Sivin, Nathan]] (1995). Science in Ancient China: Researches and Reflections. Brookfield, Vermont: VARIORUM, Ashgate Publishing. 
*Wagner, Donald B. "The Administration of the Iron Industry in Eleventh-Century China," Journal of the Economic and Social History of the Orient (Volume 44 2001): 175-197. 
* Yang, Vincent. ''Nature and Self: A Study of the Poetry of Su Dongpo, With Comparisons to the Poetry of William Wordsworth'' (American University Studies, Series III). Peter Lang Pub Inc, 1989. ISBN 0-8204-0939-1.
</div>

==External links==
{{ChineseText}}
{{Commonscat-inline|Su Shi}}
*[http://chinaonlinemuseum.com/calligraphy-su-shi.php Su Shi and his Calligraphy Gallery] at China Online Museum
*[http://www.blackcatpoems.com/s/su_shi.html Su Shi: Poems]
*[http://www.chinese-poems.com/su.html Poems by Su Shi]

{{Song Dynasty topics}}

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[[Category:Chinese calligraphers]]
[[Category:Chinese scholars]]
[[Category:Chinese travel writers]]
[[Category:People from Meishan]]
[[Category:Pharmacologists]]
[[Category:Song Dynasty painters]]
[[Category:Song Dynasty poets]]
[[Category:Song Dynasty politicians]]
[[Category:1037 births]]
[[Category:1101 deaths]]
[[Category:Recipients of Chinese royal pardons]]

{{Link GA|zh-classical}}

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[[vi:Tô Thức]]
[[zh-classical:蘇軾]]
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[[Category:2Fix]]