Tulle bi telli
Tulle-bi-telli, also known as Assuit after the region where it is made, is a textile marrying cotton or linen mesh with small strips of metal, with its origins dating back to Ancient Egypt. The name translates roughly as "net with metal". 
Thin strips of metal, such as copper wire, silver, pot metal, brass, chrome-plated base metals, or even 14-carat gold, are threaded onto a flat, wide needle with a flat, wide eye. Each strip is approximately 1/8" wide and 18" to 24" long. The strips are threaded into the mesh, criss-crossed, flattened with the fingernails, and cut. The fabric is then stamped down, and when the designs are finished, the fabric is passed through a roller to flatten the metal even more. 
The best way to store assuit is to leave it dropped in a loose heap, rearranging it now and then to prevent folds from occurring in the metal. Hanging is not recommended because the fabric can stretch and tear under its own weight. It should also be kept in a dry, dark place as exposure to sunlight can cause the fabric to fade, and discolour the metal, while dampness can damage the thread .
The region of Asyut was first settled in Ancient Egypt, and was then called Syut. Textiles similar in concept to assuit date back to these ancient times. . Metal thread embroidery was used extensively throughout the Middle East, Asia, and parts of Europe. References are made to its use with Egyptian linen in the Bible.  3,000 year old specimens of netting made with flax are preserved in the Museum of Montbijou, Berlin. The hand-made net is of intricate design; each net composed of some 365 individual fibers. The dye techniques used were equally sophisticated; metallic salts to improve the fastness of dyes has been found in textiles in tombs dating from before 1500 B.C. These early embroideries were done with the application of precious metals, especially gold. The pure metal was beaten into thin plates, divided into small slips which were rounded by a hammer, and then filed to form wire. Few remains of ancient wire work have been found. This net would certainly have qualified as "transparent", as shown on the tomb pictures. 
In 1922, King Tutankhamen's tomb was discovered, triggering another wave of Orientalism. All of a sudden, pretty much everything Egyptian was highly desirable. It influenced fashion, dance, and film.
Assuit has been used in Hollywood productions, such as the lost Cecil B. DeMille opus Cleopatra. It was draped on Hedy Lamarr in Samson and Delilah. It is used extensively for dresses in old Egyptian musicals. It was also worn draped over the head, as wraps, and as wedding gowns. It can also be used for decoration: Piano shawls were extremely popular, and specimens can still be found on occasion in antique shops.
shawl come in different sizes: most are long and narrow, and the designs vary, ranging from the simple to the elaborate. Some people believe designs have been passed down through families, as with weaving and embroidery work. . Some designs appear to be intentionally left incomplete. Coptic Christian designs often have animal and human figures, whereas Muslim shawls rely on geometric designs. In some places, assuit shawls are known as Coptic shawls. The geometric designs were popular with the Art Deco movement, beginning around 1925.
The modern fabric seems to have first appeared in the late 1800s. The invention of the bobinet machine in Tulle, France in the early nineteenth century increased the popularity of a hexagonal mesh fabric and it became commonly known as tulle. A French entrepreneur built a small net factory in Upper Egypt to help stimulate depressed economy of the area, hoping to create a cottage industry relying on the specialist embroidery skills of those who lived in this region .